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Rebecca Adams (as producing director), Peter Waldron (as designer), Joe Cronin, Amy Fowkes, David Gomes and Vana O'Brien formed Artists Repertory Theatre in 1982; their goal was to present contemporary playwrights' work in an intimate space.
In 1988, Artists Rep appointed Allen Nause to the position of artistic director; he would go on to hold the position for over 20 years.
Artists Rep creates an improvisation and role-playing program to teach life-skills named ART Reach (later renamed Actors to Go) in 1990.
In 1991, Artists Rep began a development program, focused on creating new plays; and in its first year Artists Rep earned an Oregon Book Nomination for their world premiere production of Nancy Klementowski's After the Light Goes.
In 1995 they began a campaign to raise money for a new facility.
In 1997, they were able to expand their presence in the world with an Artists Rep production at an international human rights play festival held on a tour of Pakistan.
To begin the new millennia, in 2000 Artists Rep chose to participate in the first-ever-reciprocal artistic collaboration between the United States and Vietnam, the Vietnam America Theatre Exchange.
To accommodate demand, Artists Rep started a second Ssage season in 2002; these productions would take place at an off-site location as the Alder St space was too small.
In 2004 they were one of only six companies nationally to be selected to the largest-ever tour of Shakespeare in United States history.
The next year, 2005, Artists Rep opened an on-site location, the Morrison Stage, for their second stage productions; it would feature a more intimate setting with 164 seats.
In 2008, Michael Mendelson, Vana O'Brien, Amaya Villazan and Todd Van Voris would become Artists Rep's first Resident Acting Company, and they all still remain members to this day.
Artists Rep kicked off its 2010/11 season with a co-production of Eugene O'Neill's Long Day's Journey Into Night with the Sydney Theatre Company.
In 2012, Artists Rep celebrated its thirtieth anniversary season.
2018 saw a dramatic series of material changes at the theatre.
By mid-2019, architectural plans were released by May for the new two-theater complex with room for the ArtsHub companies, as well as a $10 million capital campaign.
The company's 2019–20 season will be "On Tour", renting spaces across the city with Imago Theatre, Portland Opera, the Tiffany Center, Portland Center Stage, and Portland State University to put up the skeleton six-show season.
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| Company name | Founded date | Revenue | Employee size | Job openings |
|---|---|---|---|---|
| South Coast Repertory | 1964 | $9.9M | 50 | - |
| Steppenwolf Theatre | 1975 | $17.5M | 200 | - |
| Berkeley Repertory Theatre | 1968 | $20.7M | 149 | 4 |
| Alley Theatre | 1947 | $17.6M | 100 | - |
| ACT Theatre | 1965 | $6.5M | 93 | - |
| Orlando REP | 1926 | $5.0M | 35 | - |
| Alliance Theatre | 1968 | $22.0M | 195 | - |
| Cleveland Play House | 1915 | $10.0M | 50 | - |
| Capital Repertory Theatre | 1980 | $999,999 | 30 | - |
| Geffen Playhouse | 1995 | $11.1M | 116 | - |
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