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One evening in 1972, Deborah “Debby” Eason, a photographer for Delta Air Lines, and her husband, Chick, a math professor at Georgia State University, went to a GSU lecture by a visiting Russian scholar.
By 1977, Creative Loafing’s circulation had climbed to 55,000, and the Easons were breaking even.
In 1979, Eason was introduced to Scott Walsey, then a 20-something owner of a backgammon nightclub located at Piedmont and Peachtree.
In 1987, they launched an edition in Charlotte.
In 1990, CL began a new political tradition: the Golden Sleaze Awards, a scathing review of the General Assembly’s legislative session told through lawmakers’ misdeeds.
Carrie Karas, a senior advertising specialist at CL, started as an advertising assistant in 1991.
In September 1998, OutKast released its seminal album, Aquemini.
Two days after Christmas last year, Eason cut seven staff positions, leaving just one member of the editorial staff, music editor Chad Radford, who had started writing for CL in 1999.
Wall had been a reporter at the Atlanta Business Chronicle in 2000 when Edelstein lured him to Creative Loafing, where he covered the General Assembly and the environment.
In July 2007, Creative Loafing Inc., a mini-empire with four papers in three states, purchased two heralded alt-weeklies—the Chicago Reader and the Washington City Paper—and The Straight Dope, a longtime Reader-syndicated column by Cecil Adams.
In Atlanta, he was a staff columnist and editor until 2008.
Shalhoup’s reporting would result in the 2011 book BMF: The Rise and Fall of Big Meech and the Black Mafia Family.
In March 2012, five months before SouthComm, a Nashville-based media company, purchased Creative Loafing’s Atlanta and Tampa publications from Atalaya Capital, longtime editorial staffers Scott Henry, Besha Rodell, Chante Legon, and Curt Holman were laid off.
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| Company name | Founded date | Revenue | Employee size | Job openings |
|---|---|---|---|---|
| Bonnier | 2007 | $350.0M | 9,226 | 2 |
| BizBash | 2000 | $6.2M | 75 | - |
| Riverfront Times | 1977 | $4.2M | 48 | - |
| Sacramento News & Review | - | $360,000 | 6 | - |
| Dallas Observer | 1980 | $17.0M | 139 | - |
| Houston Press | 1989 | $3.0M | 67 | - |
| Arkansas Times | 1974 | $32.0M | 50 | - |
| Athletic Business | 1977 | $6.6M | 45 | - |
| Brown Girl Magazine | 2008 | $4.8M | 89 | - |
| Louise Blouin Media | 2003 | $6.0M | 75 | - |
Zippia gives an in-depth look into the details of Creative Loafing, including salaries, political affiliations, employee data, and more, in order to inform job seekers about Creative Loafing. The employee data is based on information from people who have self-reported their past or current employments at Creative Loafing. The data on this page is also based on data sources collected from public and open data sources on the Internet and other locations, as well as proprietary data we licensed from other companies. Sources of data may include, but are not limited to, the BLS, company filings, estimates based on those filings, H1B filings, and other public and private datasets. While we have made attempts to ensure that the information displayed are correct, Zippia is not responsible for any errors or omissions or for the results obtained from the use of this information. None of the information on this page has been provided or approved by Creative Loafing. The data presented on this page does not represent the view of Creative Loafing and its employees or that of Zippia.
Creative Loafing may also be known as or be related to Creative Loafing and EASON PUBLICATIONS INC.