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The orchestra traces its origins to a concert given by a group of forty musicians in 1900 with conductor Hans Kreissig. It continued to perform and grow in numbers and stature, so that in 1945 it was in a position to appoint Antal Doráti as music director.
Doráti transformed the ensemble into a fully professional orchestra that won national attention through a series of RCA recordings, expanded repertoire, more concerts and several national network radio broadcasts. It was under Doráti that the Dallas Symphony recorded Liszt’s First Piano Concerto with Arthur Rubinstein and Bartók’s Second Violin Concerto with Yehudi Menuhin (both on RCA) and gave the North American premiere of Bartók’s Duke Bluebeard’s Castle in 1949.
Photograph of Dallas Symphony at North Texas in November 1960.
He conducted the world premiere performance and recording of Steven Stucky’s concert drama August 4, 1964, for which the composer was nominated for a Grammy Award, and recorded symphonies by Tchaikovsky (Nos.
When Mexican-born conductor Eduardo Mata was appointed Music Director in 1977, the orchestra embarked on its second major period of growth and success.
During his tenure the Dallas Symphony also saw the opening in 1989 of its permanent home, the Morton H. Meyerson Symphony Center.
In 2002, Fabio Luisi first guest-conducted the orchestra.
Jaap van Zweden took the helm as Music Director in 2008, and the orchestra continued to flourish under his dynamic leadership.
The orchestra embarked on a bold new era in January 2018, when Kim Noltemy joined the Dallas Symphony Association (DSA) as Ross Perot President & CEO. Under her visionary leadership, the DSO has implemented numerous new initiatives.
In June 2018, the Dallas Symphony Orchestra named Grammy Award-winning Italian conductor Fabio Luisi as its next Music Director.
Over the next two years, Luisi developed a close rapport with the orchestra through a series of acclaimed performances, before assuming the Louise W. & Edmund J. Kahn Music Directorship in September 2020.
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| Company name | Founded date | Revenue | Employee size | Job openings |
|---|---|---|---|---|
| Seattle Symphony | 1903 | $50.0M | 177 | - |
| San Francisco Symphony | 1911 | $75.7M | 200 | - |
| The Philadelphia Orchestra | 1900 | $98.8M | 213 | 9 |
| Milwaukee Symphony Orchestra | 1959 | $18.8M | 132 | - |
| Baltimore Symphony Orchestra | 1916 | $24.9M | 200 | 2 |
| St. Louis Symphony Orchestra | 1880 | $33.5M | 100 | 17 |
| Colorado Symphony | 1989 | $11.8M | 7 | - |
| Minnesota Orchestra | 1903 | $38.7M | 2 | 6 |
| Rockford Symphony Orchestra | 1934 | $5.0M | 10 | - |
| Global Spectrum | - | $540,000 | 50 | - |
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