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Director/manager job growth summary. After extensive research, interviews, and analysis, Zippia's data science team found that:
The projected director/manager job growth rate is 6% from 2018-2028.
About 189,200 new jobs for director/managers are projected over the next decade.
Director/manager salaries have increased 4% for director/managers in the last 5 years.
There are over 7,768 director/managers currently employed in the United States.
There are 287,314 active director/manager job openings in the US.
The average director/manager salary is $128,735.
| Year | # of jobs | % of population |
|---|---|---|
| 2021 | 7,768 | 0.00% |
| 2020 | 6,109 | 0.00% |
| 2019 | 6,247 | 0.00% |
| 2018 | 5,959 | 0.00% |
| 2017 | 5,757 | 0.00% |
| Year | Avg. salary | Hourly rate | % Change |
|---|---|---|---|
| 2025 | $128,735 | $61.89 | +2.8% |
| 2024 | $125,171 | $60.18 | --0.1% |
| 2023 | $125,357 | $60.27 | +0.5% |
| 2022 | $124,711 | $59.96 | +1.1% |
| 2021 | $123,345 | $59.30 | +1.6% |
| Rank | State | Population | # of jobs | Employment/ 1000ppl |
|---|---|---|---|---|
| 1 | District of Columbia | 693,972 | 583 | 84% |
| 2 | Massachusetts | 6,859,819 | 2,974 | 43% |
| 3 | Iowa | 3,145,711 | 1,189 | 38% |
| 4 | New Hampshire | 1,342,795 | 506 | 38% |
| 5 | Delaware | 961,939 | 347 | 36% |
| 6 | Arkansas | 3,004,279 | 1,054 | 35% |
| 7 | New Jersey | 9,005,644 | 2,903 | 32% |
| 8 | Virginia | 8,470,020 | 2,631 | 31% |
| 9 | Minnesota | 5,576,606 | 1,755 | 31% |
| 10 | Montana | 1,050,493 | 330 | 31% |
| 11 | Rhode Island | 1,059,639 | 318 | 30% |
| 12 | Georgia | 10,429,379 | 3,004 | 29% |
| 13 | Maryland | 6,052,177 | 1,757 | 29% |
| 14 | Alabama | 4,874,747 | 1,397 | 29% |
| 15 | Illinois | 12,802,023 | 3,609 | 28% |
| 16 | North Carolina | 10,273,419 | 2,870 | 28% |
| 17 | Indiana | 6,666,818 | 1,886 | 28% |
| 18 | Oklahoma | 3,930,864 | 1,111 | 28% |
| 19 | Connecticut | 3,588,184 | 1,021 | 28% |
| 20 | North Dakota | 755,393 | 211 | 28% |
| Rank | City | # of jobs | Employment/ 1000ppl | Avg. salary |
|---|---|---|---|---|
| 1 | Annapolis | 1 | 3% | $127,606 |
| 2 | Redwood City | 2 | 2% | $146,797 |
| 3 | Burien | 1 | 2% | $127,394 |
| 4 | Detroit | 4 | 1% | $102,993 |
| 5 | Little Rock | 2 | 1% | $78,884 |
| 6 | Bellflower | 1 | 1% | $140,746 |
| 7 | Carson | 1 | 1% | $140,860 |
| 8 | Boston | 2 | 0% | $138,267 |
| 9 | Atlanta | 1 | 0% | $105,227 |
| 10 | Baton Rouge | 1 | 0% | $102,068 |
Murray State University
Montgomery College

Pepperdine University, Seaver College

Sam Houston State University

Farmingdale State College

The City College of New York
Belmont University

Sonoma State University
Murray State University
Educational Administration And Supervision
Dr. Ben Littlepage: Salary is maximized when leaders are sought after. Leaders who pursue meaningful experiences and remain 'market ready' are viewed as an asset to any organization. Leaders must carefully consider where the field is moving and respond.
Montgomery College
Department of Performing Arts
R. Scott Hengen: Yes. The virus has prompted the industry to look at the production process. How the process and performances can economize, and the performative aspects can be translated into a remotely viewed but still lively environment. While creative personnel may not meet in person, they could even collaborate, albeit remotely. While the production can always be artistic, the experience will be streamlined. This translates into an economization in staffing needs and production scale and an update to needs in technology and content.
Moreover, it has caused a reassessment of the performative aspects and the need to find ways for the communal experience to be still present while bridging the confining boundaries of a digital screen. When in-person performances reconvene and at some point, the introspection of this time will echo into a transformed aesthetic, both in production and performance. The theatre-going experience may not be as grand, but it may further reach a broader audience.
This discussion also coincides with a more paramount and possibly more compelling argument of whose voices we will hear as this analysis of performative aspects commences. We are experiencing a forceful re-evaluation of leadership and themes of stories untold and sounds unheard, of behavior unrecognized and impacts undervalued. The next few years will show that the theatre industry will be forever transformed as a representation of the underserved and unheard will gain prominence to the effect of empowering the disenfranchised. Over the next decade, we may find a predominance of the modern perspective or economized re-examination of classic tales in a contemporary light rather than the pure enjoyment of retold classics.

Steven Bauer: The coronavirus has accelerated the transformation to a digital world, and this effect will continue after the pandemic is behind us. Graduates will need to be able to navigate a hybrid business environment, with in-person and virtual meetings, interactions and platforms. There will also be increased opportunities to be entrepreneurial and innovative in the digital area. In addition, graduates will have to become more skilled at navigating a global environment since greater digitization will draw countries closer to each other.

Sam Houston State University
Department of Management & Marketing
Carliss Miller Ph.D.: Flexible working arrangements were considered a perk or benefit, but given the pandemic more and more jobs will be designed with flexible work arrangements in mind. We will continue to see trends in the labor market with a push towards personal services (e.g. virtual assistants, professional organizers) and professional services. There will also continue to be a demand for knowledge work. More and more, employers are looking to hire applicants that can provide concrete evidence of being "Day 1" ready.
Employers will focus more on identifying prospects with certain "soft skills" which were a nice-to-have pre-pandemic, but are now critical for organizational survival. These skills include: critical thinking, agility, ability to adapt to change, resilience, virtual team effectiveness, crisis management, emotional intelligence, empathy, and inclusive leadership. Additionally, data analysis and interpretation is a highly sought after skill even for jobs that historically did not require analytical ability.
Carliss Miller Ph.D.: Good jobs out of college are those that offer structured training, development, and job rotation. While some college students identified their career at age 5 and never veered away, some are still figuring out what they want to do after college. A job opportunity that recognizes the potential of new talent, willing to invest in training and development, and provides opportunities for new employees to experience different job functions enables new graduates to gain a realistic job preview that pays and allows them to identify an opportunity within the company that best aligns with skills and interests. Positions that are for a specific job function but have an apprenticeship model, like a "sales trainee" position, are also great for career stepping stones right out of college.

Farmingdale State College
Department of Economics
Xu Zhang Ph.D.: I believe the most important attributes employers seek on a resume remain the same-problem solving skills, team work skills, analytical/quantitative skills, verbal and written communication skills. However, given the pandemic or any other unexpected shock to work environment, how to quickly and efficiently adapt to new work modes can be a very valuable attribute standing out on resume.

Prabal Kumar De Ph.D.: I think the necessary skills remain the same. One modification that would stay is greater virtual engagement. Therefore, newly essential skills such as acing a virtual interview, making a mark during a Zoom meeting, or managing or being a valuable part of a remote working group would be useful long after the immediate threats from the COVID-19 crisis be gone.
Belmont University
Office of Career & Professional Development
Nina Woodard: The pandemic hasn't impacted all areas of the entertainment industry in the same way. Anything related to live events and touring has been placed on an extended pause, which has been very difficult for graduates hoping to work in those fields. On an encouraging note, consumers will always find a way back to live experiences, so that segment of the industry will absolutely recover; the timing is just still a bit unknown. Other areas such as record or publishing companies have held steady. And, digital marketing and content creation companies are as busy, if not busier, than they've ever been as artists seek alternative ways to stay connected to their fans. Technology has intersected with entertainment in exciting, creative ways that will continue even as some of the more traditional avenues become available again. For many companies, ideas that started as pivots are now vibrant components of their long-term strategies.
The way we work may have also permanently changed. Companies have realized that remote working is a truly viable option for most businesses. While maintaining company culture, and the social nature of an entertainment-based organization, may still require some level of in-person interaction, it seems likely that many organizations may continue with remote/hybrid office models.
Nina Woodard: For entertainment, digital marketing and content creation skills are critical. Even if a role isn't specifically connected to digital marketing, social media is almost always involved in most entry-level roles. We strongly encourage students and recent graduates to learn basic graphic design platforms, video editing and audio editing. Learning how to maximize impact on social media platforms such as YouTube, Instagram or TikTok is also a worthy investment of time. There's a wide range of self-paced training resources online, many available for free or at reduced costs for students.

Sonoma State University
School of Business & Economics
Craig Nathanson Ph.D.: I see the essential human skills gaining importance to build a new post-covid work life. These include creativity, leading and working in teams, writing, speaking, being self-aware, and lowering bias and networking; career branding as critical areas for graduates to focus on now.
Craig Nathanson Ph.D.: Most important on resumes to only show accomplishments you are proud of and reflect measurable success and completion of past work. These accomplishments should be a snapshot of what we have done and can do in the future. The most important two lines of a resume are in the objectives, to list what the person is seeking. These two lines give the reader a quick view of what the person wants.
Now is a great time to start the new year to build a portable work portfolio to represent an alignment of what a person is excited about and enjoys in their work.