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Directors Guild of America main competitors are The Gersh Agency, Agency For the Performing Arts, and San Francisco Symphony.

Competitor Summary. See how Directors Guild of America compares to its main competitors:

  • SAG-AFTRA has the most employees (5,250).
  • Employees at The Gersh Agency earn more than most of the competitors, with an average yearly salary of $69,143.
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Directors Guild of America vs competitors

CompanyFounding dateZippia scoreHeadquarters# of LocationsRevenueEmployees
1936
4.0
Los Angeles, CA2$3.2M35
1933
4.4
Los Angeles, CA1$50.0M346
2012
4.4
Los Angeles, CA1$150.0M5,250
2002
4.3
New York, NY1$14.0M295
-
3.8
Austin, TX1$3.8M125
2005
4.3
New York, NY1$8.5M150
-
3.6
Beverly Hills, CA1$11.2M100
2006
4.0
Vancouver, WA1$8.7M300
1980
3.9
Chicago, IL1$1.6M30
Santa Fe Chamber Music Festival
1972
3.5
Santa Fe, NM1$1.8M12
1911
4.1
San Francisco, CA2$75.7M200
1992
3.9
Beverly Hills, CA1$3.2M550
1981
4.6
Seattle, WA1$17.5M50
1962
3.7
Los Angeles, CA1$17.8M100
1981
3.2
Austin, TX1$3.9M100
2009
4.3
Beverly Hills, CA6$51.6M3,544
-
3.9
New York, NY1$9.6M85
1969
3.6
Columbus, OH1$50.0M1,065
1981
3.8
Atlanta, GA1$5.0M375
1926
3.8
Knoxville, TN1$8.8M50
-
4.1
Ely, NV1$700,00050

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Directors Guild of America salaries vs competitors

Among Directors Guild of America competitors, employees at The Gersh Agency earn the most with an average yearly salary of $69,143.

Compare Directors Guild of America salaries vs competitors

CompanyAverage salaryHourly salarySalary score
Directors Guild of America
$63,377$30.47-
Writers Guild of America West
$49,869$23.98-
SAG-AFTRA
$47,588$22.88-
Tribeca
$31,905$15.34-
Austin Film Festival
$37,003$17.79-
The Weinstein Company
$35,613$17.12-

Compare Directors Guild of America job title salaries vs competitors

CompanyHighest salaryHourly salary
Directors Guild of America
$98,688$47.45
The Gersh Agency
$117,308$56.40
Agency For the Performing Arts
$110,680$53.21
Don Buchwald & Associates
$104,030$50.01
San Francisco Symphony
$88,358$42.48
Santa Fe Chamber Music Festival
$85,551$41.13
Paradigm Talent Agency
$81,499$39.18
Writers Guild of America West
$70,636$33.96
SAG-AFTRA
$69,855$33.58
Austin Film Festival
$69,806$33.56
United Artists Theatre Circuit Inc Md
$69,137$33.24
PRR
$68,636$33.00
Society of International Business Fellows - SIBF
$67,447$32.43
Native American Services Corp.
$66,840$32.13
Stewart Talent
$66,184$31.82
The Weinstein Company
$63,793$30.67
Capa-columbus Association For The Performing Arts
$60,721$29.19
Texas Performing Arts
$59,791$28.75
WME
$56,957$27.38
Cinetopia
$56,787$27.30

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Directors Guild of America demographics vs competitors

Compare gender at Directors Guild of America vs competitors

Job titleMaleFemale
PRR35%65%
Austin Film Festival35%65%
Texas Performing Arts36%64%
Directors Guild of America51%49%
SAG-AFTRA54%46%

Compare race at Directors Guild of America vs competitors

CompanyWhiteHispanic or LatinoBlack or African AmericanAsianUnknownDiversity score
55%22%8%10%5%
9.3
56%19%10%10%6%
9.2
67%13%9%7%4%
8.9
47%31%10%9%3%
4.6
55%21%10%8%5%
9.5

Directors Guild of America and similar companies CEOs

CEOBio

Mark Hanson joined the San Francisco Symphony as Executive Director in September 2017 and was given the title of Chief Executive Officer in 2018. During his tenure, the SFS experienced a period of exciting change and forward progress, including a new multi-year financial plan that put the organization on a path to restoring stability. In 2018, the SFS negotiated a new four-year musician contract that cemented the San Francisco Symphony’s leadership position among American orchestras. A unique housing shared-equity program to help combat the Bay Area’s high cost of housing was also introduced. Also in 2018, the San Francisco Symphony launched a multi-constituency DEI Workgroup with representatives from the Board, Orchestra, and staff. Over the following two years, the DEI Workgroup focused its efforts primarily on internal culture change, capacity building, and learning but recently led the development of the SFS’s first ever DEI Plan which intends to seed deeper engagement in this work across the rest of the organization. Important to its audience development efforts, the San Francisco Symphony announced a new partnership with Stanford University to present an annual series of concerts at Stanford University’s Frost Amphitheater in 2019 that continues once again this summer. With a seating capacity of more than 6,000, Frost Amphitheater provides the San Francisco Symphony with a long-desired summer home in the heart of Silicon Valley. These important institutional developments were accompanied by the appointment of Esa-Pekka Salonen as Music Director, an outcome that The New York Times reported as “the talk of the music world.” One of the most influential and creative forces in music, Salonen began his tenure as Music Director in September 2020, teaming up with eight new San Francisco Symphony Collaborative Partners from various cultural disciplines. While the 2020-2021 season was significantly impacted by the COVID-19 pandemic, the San Francisco Symphony under Mr. Hanson launched a new on-demand streaming service, SFSymphony+, featuring original digital content now being viewed throughout the Bay Area and the world.

Rita Brogan
PRR

Steven Ovitsky
Santa Fe Chamber Music Festival

Antoinette Lawson
SAG-AFTRA

Directors Guild of America competitors FAQs

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