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Competitor Summary. See how Metropolitan Opera compares to its main competitors:

  • Merlin Entertainments has the most employees (27,000).
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Metropolitan Opera vs competitors

CompanyFounding dateZippia scoreHeadquarters# of LocationsRevenueEmployees
1883
4.0
New York, NY1$282.6M30
1923
4.2
San Francisco, CA1$70.9M1,000
1955
4.2
Houston, TX1$50.0M267
1957
4.1
Santa Fe, NM1$26.0M750
1975
3.7
Philadelphia, PA1$8.5M28
1920
3.3
Cincinnati, OH1$7.3M35
1954
4.7
Chicago, IL1$36.9M100
1963
4.1
Seattle, WA1$43.0M50
1939
3.7
Pittsburgh, PA1$8.0M200
American Symphony Orchestra
1962
3.0
New York, NY1$2.7M20
1911
4.1
San Francisco, CA2$75.7M200
1957
3.4
Dallas, TX1$1.6M30
1979
3.7
Atlanta, GA1$6.7M25
-
3.4
Baltimore, MD1$3.9M30
Colorado Chautauqua
1898
3.5
Boulder, CO1$5.0M15
1981
4.1
Costa Mesa, CA1$67.6M233
1883
3.9
El Paso, TX1$78.0M450
1999
3.9
New York, NY1$2.2B27,000
1981
4.0
Branford, CT2$6.3M125
1990
4.0
Orlando, FL1$2.5M35
Colorado Symphony
1989
3.3
Denver, CO1$11.8M7

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Metropolitan Opera salaries vs competitors

Compare Metropolitan Opera salaries vs competitors

CompanyAverage salaryHourly salarySalary score
Metropolitan Opera
$61,879$29.75-

Compare Metropolitan Opera job title salaries vs competitors

CompanyHighest salaryHourly salary
Metropolitan Opera
$91,405$43.94
American Symphony Orchestra
$109,920$52.85
Pittsburgh Opera
$97,007$46.64
Cincinnati Opera
$94,430$45.40
San Francisco Symphony
$88,358$42.48
San Francisco Opera
$86,509$41.59
Seattle Opera
$83,985$40.38
Lyric Opera of Chicago
$81,968$39.41
The Atlanta Opera
$80,352$38.63
Opera Philadelphia
$79,248$38.10
Houston Grand Opera
$78,063$37.53
Santa Fe Opera
$70,248$33.77
The Dallas Opera
$69,262$33.30
Colorado Chautauqua
$68,989$33.17
Lester
$64,707$31.11
Merlin Entertainments
$63,446$30.50
Colorado Symphony
$61,596$29.61
Segerstrom Center for the Arts
$54,332$26.12
Orlando Weekly
$51,825$24.92
Washington National Opera
$48,429$23.28

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Metropolitan Opera demographics vs competitors

Compare gender at Metropolitan Opera vs competitors

Job titleMaleFemale
Pittsburgh Opera33%67%
Cincinnati Opera40%60%
San Francisco Opera44%56%
Opera Philadelphia45%55%
Houston Grand Opera46%54%
Metropolitan Opera--

Compare race at Metropolitan Opera vs competitors

CompanyWhiteHispanic or LatinoBlack or African AmericanAsianUnknownDiversity score
73%6%9%6%6%
8.2
75%9%10%4%2%
7.7
52%20%9%13%6%
9.3
52%25%14%6%3%
8.4
72%8%12%6%2%
6.3

Metropolitan Opera and similar companies CEOs

CEOBio
Nicholas Varney
Merlin Entertainments

Patricia K. Beggs
Cincinnati Opera

Matthew Shilvock
San Francisco Opera

Matthew Shilvock is a CEO/General Director at San Francisco Opera. He has worked as Associate General Director at San Francisco Opera. Matthew studied at University of Massachusetts, Lowell and University of Oxford.

Mark Hanson joined the San Francisco Symphony as Executive Director in September 2017 and was given the title of Chief Executive Officer in 2018. During his tenure, the SFS experienced a period of exciting change and forward progress, including a new multi-year financial plan that put the organization on a path to restoring stability. In 2018, the SFS negotiated a new four-year musician contract that cemented the San Francisco Symphony’s leadership position among American orchestras. A unique housing shared-equity program to help combat the Bay Area’s high cost of housing was also introduced. Also in 2018, the San Francisco Symphony launched a multi-constituency DEI Workgroup with representatives from the Board, Orchestra, and staff. Over the following two years, the DEI Workgroup focused its efforts primarily on internal culture change, capacity building, and learning but recently led the development of the SFS’s first ever DEI Plan which intends to seed deeper engagement in this work across the rest of the organization. Important to its audience development efforts, the San Francisco Symphony announced a new partnership with Stanford University to present an annual series of concerts at Stanford University’s Frost Amphitheater in 2019 that continues once again this summer. With a seating capacity of more than 6,000, Frost Amphitheater provides the San Francisco Symphony with a long-desired summer home in the heart of Silicon Valley. These important institutional developments were accompanied by the appointment of Esa-Pekka Salonen as Music Director, an outcome that The New York Times reported as “the talk of the music world.” One of the most influential and creative forces in music, Salonen began his tenure as Music Director in September 2020, teaming up with eight new San Francisco Symphony Collaborative Partners from various cultural disciplines. While the 2020-2021 season was significantly impacted by the COVID-19 pandemic, the San Francisco Symphony under Mr. Hanson launched a new on-demand streaming service, SFSymphony+, featuring original digital content now being viewed throughout the Bay Area and the world.

Gene Sobczak
Colorado Symphony

Susan Marineau
Santa Fe Opera

Shelly Benford
Colorado Chautauqua

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