Post job

Competitor Summary. See how San Francisco Symphony compares to its main competitors:

  • Los Angeles Philharmonic Association has the most employees (2,000).
  • The oldest company is New York Philharmonic, founded in 1842.
Work at San Francisco Symphony?
Share your experience

San Francisco Symphony vs competitors

CompanyFounding dateZippia scoreHeadquarters# of LocationsRevenueEmployees
1911
4.1
San Francisco, CA2$75.7M200
1919
3.5
Los Angeles, CA1$141.3M2,000
1957
4.1
Santa Fe, NM1$26.0M750
1900
4.5
Dallas, TX1$35.8M207
1880
4.1
Saint Louis, MO1$33.5M100
1935
4.1
Buffalo, NY1$11.9M100
1923
4.2
San Francisco, CA1$70.9M1,000
1922
4.1
Newark, NJ1$10.7M100
1891
3.9
Chicago, IL1$28.5M50
1895
3.9
Cincinnati, OH1$38.8M200
1842
4.2
New York, NY1$94.2M750
1978
4.4
Irvine, CA1$19.1M60
1954
4.7
Chicago, IL1$36.9M100
1959
3.9
Milwaukee, WI1$18.8M132
American Symphony Orchestra
1962
3.0
New York, NY1$2.7M20
1969
3.3
Berkeley, CA1$1.4M44
1957
3.4
Dallas, TX1$1.6M30
2001
3.8
Crystal Lake, IL1$5.0M28
1982
4.3
Los Angeles, CA1$16.0M50
Spokane Civic Theatre
1947
3.4
Spokane, WA1$1.1M5
1936
4.0
Los Angeles, CA2$3.2M35

Rate how well San Francisco Symphony differentiates itself from its competitors.

Zippia waving zebra

San Francisco Symphony salaries vs competitors

Compare San Francisco Symphony salaries vs competitors

CompanyAverage salaryHourly salarySalary score
San Francisco Symphony
$65,748$31.61-

Compare San Francisco Symphony job title salaries vs competitors

CompanyHighest salaryHourly salary
San Francisco Symphony
$65,219$31.36
New Regency Productions
$133,851$64.35
American Symphony Orchestra
$109,378$52.59
Directors Guild of America
$101,435$48.77
Cincinnati Symphony Orchestra
$100,723$48.42
New Jersey Symphony Orchestra
$84,624$40.68
San Francisco Opera
$83,947$40.36
Raue Center For The Arts
$83,719$40.25
Lyric Opera of Chicago
$75,467$36.28
Berkeley Symphony
$73,463$35.32
New York Philharmonic
$67,599$32.50
Los Angeles Philharmonic Association
$67,414$32.41
Milwaukee Symphony Orchestra
$64,118$30.83
Chicago Symphony Orchestra
$63,071$30.32
Dallas Symphony Orchestra
$62,038$29.83
The Dallas Opera
$60,891$29.27
St. Louis Symphony Orchestra
$60,820$29.24
Santa Fe Opera
$60,197$28.94
Pacific Symphony
$59,416$28.57
Spokane Civic Theatre
$52,812$25.39

Do you work at San Francisco Symphony?

Does San Francisco Symphony effectively differentiate itself from competitors?

San Francisco Symphony jobs

San Francisco Symphony demographics vs competitors

Compare gender at San Francisco Symphony vs competitors

Job titleMaleFemale
Milwaukee Symphony Orchestra39%61%
San Francisco Opera44%56%
Directors Guild of America51%49%
New Jersey Symphony Orchestra52%48%
Cincinnati Symphony Orchestra57%43%
San Francisco Symphony--

Compare race at San Francisco Symphony vs competitors

CompanyWhiteHispanic or LatinoBlack or African AmericanAsianUnknownDiversity score
55%22%8%10%5%
9.3
76%6%9%2%6%
7.9
52%20%9%13%6%
9.3
59%15%12%12%2%
8.0
77%10%6%5%2%
7.6
58%16%12%9%4%
9.4

San Francisco Symphony and similar companies CEOs

CEOBio

Chief Executive Officer with a successful history of working in the music industry. Skilled in Fundraising, Board Development, Artistic Planning, Performing Arts, Marketing Strategy, Collective Bargaining Agreements and Business Process Improvement. Results driving capacity builder with an entrepreneurial business focus. Master of Arts Administration/MBA focus in Performing Arts Management, Fundraising, Marketing, Strategy, Organizational Development from University of Cincinnati.

Matthew Shilvock
San Francisco Opera

Matthew Shilvock is a CEO/General Director at San Francisco Opera. He has worked as Associate General Director at San Francisco Opera. Matthew studied at University of Massachusetts, Lowell and University of Oxford.

Marie-Helene Bernard
St. Louis Symphony Orchestra

Marie-Helene Bernard is a President/CEO at Saint Louis Symphony Orchestra. She has worked as CEO/Executive Dir at Handel and Haydn Society.

Mark C. Hanson is a Chief Executive Officer at MILWAUKEE SYMPHONY ORCHESTRA and is based in San Francisco, California. He has worked as President and Executive Director at MILWAUKEE SYMPHONY ORCHESTRA. Mark attended Harvard University between 1994 and 1997 and Eastman School of Music between 1992 and 1994.

Kim Noltemy joined the Dallas Symphony Association (DSA) as President & CEO in January 2018. Since Noltemy’s arrival, the Dallas Symphony Orchestra has embarked on a bold, new strategic plan and has implemented numerous new initiatives that will have a long-term impact on the landscape of classical music in Dallas and the entire industry. Her visionary leadership guided the Dallas Symphony to become the first major American orchestra to perform for an in-person audience in their hall with their Music Director after the COVID-19 shutdown. During her tenure, the orchestra appointed renowned Music Director Fabio Luisi and Gemma New as Principal Guest Conductor. In May 2019, Noltemy successfully negotiated the transition of management of the Morton H. Meyerson Symphony Center from the City of Dallas to the Dallas Symphony Association. Noltemy began her term as President of the Dallas Arts District board in January 2020. She also serves on the boards of the Dallas Black Dance Theatre and Aging Minds, and she is a member of the Dallas Assembly, Dallas Summit, Dallas international Women’s Forum and Executive Women’s Roundtable. Noltemy was named as a D CEO Dallas 500 in 2020 and 2021, and was a 2020 finalist for the Dallas Morning News’ Texan of the Year. Recognizing the need for systemic change in the classical music community, in the fall of 2020, Noltemy introduced a comprehensive plan and commitment for equity, diversity and inclusion at the Dallas Symphony Orchestra. In 2018, she launched the DSO’s Women in Classical Music program, an initiative designed to elevate the role of women in classical music and increase female representation in the field through hiring women for senior artistic positions, creating an annual symposium, and ensuring that 50% of the DSO’s new commissions are composed by women. The orchestra unveiled the DSO’s Southern Dallas Residency in November 2018 which includes a very important educational initiative, Young Musicians. This program makes the transformative power of music education accessible to more than 500 children in Southern Dallas through free instruments and lessons. Since the pandemic shutdown in March 2020, Noltemy led the DSO through this period of change, pivoting quickly to provide music and service to the Dallas community. The DSO offered live, weekly concerts to small audiences in the Meyerson, as well as more than 150 outdoor chamber music concerts in neighborhoods all across Dallas. Noltemy embraced and expanded the DSO online presence, implementing a digital strategy for 2020/21 and beyond. In summer 2020, a state-of-the-art video studio and robotic cameras was installed in the Meyerson Symphony Center to capture and live-stream DSO performances and third-party events in the hall. The new online events will complement the in-person experience and expand the reach of the organization beyond its physical space.

Susan Marineau
Santa Fe Opera

San Francisco Symphony competitors FAQs

Search for jobs