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Competitor Summary. See how ShadowMachine compares to its main competitors:

  • Bento Box Entertainment has the most employees (566).
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ShadowMachine vs competitors

CompanyFounding dateZippia scoreHeadquarters# of LocationsRevenueEmployees
1999
3.9
Los Angeles, CA1$20.0M264
1996
4.3
Dallas, TX1$37.5M350
2009
3.8
Burbank, CA1$6.7M566
1990
4.3
Burbank, CA1$7.1M200
1955
4.3
Los Angeles, CA1$12.0M50
1982
3.4
Los Angeles, CA1$704,54875
Curiosity
2010
3.9
Cincinnati, OH1$24.0M2
-
4.1
Santa Monica, CA1$16.0M175
1997
3.1
San Francisco, CA1$160,00050
2003
3.8
Santa Monica, CA1$8.1M123
2002
3.0
Portland, OR1$6.0M60
2001
3.4
Los Angeles, CA1$600,000290
2009
4.1
Los Angeles, CA1$5.6M116
1978
3.6
New York, NY1-60

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ShadowMachine salaries vs competitors

Compare ShadowMachine salaries vs competitors

CompanyAverage salaryHourly salarySalary score
ShadowMachine
$60,951$29.30-

Compare ShadowMachine job title salaries vs competitors

CompanyHighest salaryHourly salary
ShadowMachine
$88,682$42.64
Hydraulx
$100,403$48.27
Splaat
$93,845$45.12
Bent Image Lab
$91,458$43.97
Bento Box Entertainment
$89,423$42.99
Nickelodeon Animation
$88,246$42.43
CoSA VFX
$86,814$41.74
Legend3D
$86,532$41.60
Reel FX
$85,733$41.22
Curious Pictures
$84,668$40.71
Curiosity
$83,487$40.14
Halon Entertainment
$81,893$39.37
Ntropic
$81,738$39.30
The Jim Henson Company
$74,567$35.85

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ShadowMachine demographics vs competitors

Compare gender at ShadowMachine vs competitors

Job titleMaleFemale
The Jim Henson Company61%39%
Bento Box Entertainment64%36%
Reel FX76%24%
ShadowMachine--

Compare race at ShadowMachine vs competitors

CompanyWhiteHispanic or LatinoBlack or African AmericanAsianUnknownDiversity score
56%22%9%9%4%
8.0
54%20%13%10%3%
8.8
52%21%11%12%4%
8.2

ShadowMachine and similar companies CEOs

CEOBio

As CEO and President, Lisa Henson oversees all television and feature film production, from early development through post-production. Lisa most recently executive produced the Emmy®-winning Netflix series The Dark Crystal: Age of Resistance. Other credits include the Netflix Originals Word Party and Julie’s Greenroom, and the Emmy-nominated PBS® series Splash and Bubbles and Dinosaur Train. She is currently executive producing the upcoming Harriet the Spy and Fraggle Rock series for AppleTV+ and is in production on Guillermo del Toro’s Pinocchio for Netflix. She is also developing the highly anticipated sequel to the classic fantasy film Labyrinth. Lisa’s feature credits include Sony Pictures Animation’s The Star, Disney’s Alexander and the Terrible, Horrible, No Good, Very Bad Day, as well as MirrorMask, The Muppets’ Wizard of Oz, Good Boy!, and Henson Alternative’s The Happytime Murders. Prior to her current position, Lisa was President of Columbia Pictures where she oversaw a string of critical and commercial successes including Little Women (1994), Immortal Beloved, and Ang Lee’s Oscar®-winning Sense and Sensibility. Before joining Columbia Pictures, Lisa served as an executive at Warner Bros. for ten years. Lisa graduated summa cum laude with a degree in Folklore and Mythology from Harvard University, where she was the first female president of The Harvard Lampoon.

Terry Thoren
Splaat

Steve O'Brien
Reel FX

Adriana Flores
Nickelodeon Animation

Matt Fischer
Curiosity

Brian Robertson
Legend3D

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