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Competitor Summary. See how The Gersh Agency compares to its main competitors:

  • WME has the most employees (3,544).
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The Gersh Agency vs competitors

CompanyFounding dateZippia scoreHeadquarters# of LocationsRevenueEmployees
-
3.6
Beverly Hills, CA1$11.2M100
1992
3.9
Beverly Hills, CA1$3.2M550
2009
4.3
Beverly Hills, CA6$51.6M3,544
1975
4.3
Los Angeles, CA1$31.0M567
2004
4.1
Beverly Hills, CA1$25.0M350
2006
3.6
Los Angeles, CA1$860,00030
-
3.9
New York, NY1$9.6M85
-
4.2
Burbank, CA1$85.0M150
1962
3.7
Los Angeles, CA1$17.8M100
1936
4.0
Los Angeles, CA2$3.2M35
1982
4.3
Los Angeles, CA1$16.0M50
2009
4.1
--$3.9M50
1981
3.2
Austin, TX1$3.9M100
1911
4.1
San Francisco, CA2$75.7M200
1957
3.4
Dallas, TX1$1.6M30
1998
4.4
Los Angeles, CA2$49.9M1,000
Texas Association of Broadcasters
1953
3.8
Austin, TX1$5.0M10
1960
3.1
New York, NY1$720,00025
1871
3.9
Wilmington, DE1$10.0M50
Eastcoast Entertainment
-
3.7
Mount Pleasant, SC1$370,0007
1980
3.9
Chicago, IL1$1.6M30

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The Gersh Agency salaries vs competitors

Compare The Gersh Agency salaries vs competitors

CompanyAverage salaryHourly salarySalary score
The Gersh Agency
$69,143$33.24-

Compare The Gersh Agency job title salaries vs competitors

CompanyHighest salaryHourly salary
The Gersh Agency
$117,308$56.40
New Regency Productions
$121,992$58.65
Agency For the Performing Arts
$110,680$53.21
Don Buchwald & Associates
$104,030$50.01
Wasserman
$100,354$48.25
Directors Guild of America
$98,688$47.45
Texas Association of Broadcasters
$94,808$45.58
San Francisco Symphony
$88,358$42.48
Relativity Media
$87,530$42.08
Paradigm Talent Agency
$81,499$39.18
Warner Bros. International Television Production
$80,308$38.61
Filmaka
$70,700$33.99
The Dallas Opera
$69,262$33.30
Carnegie Hall
$66,315$31.88
Stewart Talent
$66,184$31.82
New Wave Entertainment
$65,244$31.37
Eastcoast Entertainment
$60,318$29.00
Texas Performing Arts
$59,791$28.75
ICM Partners
$59,760$28.73
THE GRAND OPERA HOUSE
$59,242$28.48

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The Gersh Agency demographics vs competitors

Compare gender at The Gersh Agency vs competitors

Job titleMaleFemale
Texas Performing Arts36%64%
Carnegie Hall45%55%
ICM Partners50%50%
Directors Guild of America51%49%
Relativity Media57%43%
The Gersh Agency--

Compare race at The Gersh Agency vs competitors

CompanyWhiteHispanic or LatinoBlack or African AmericanAsianUnknownDiversity score
55%18%10%13%4%
9.4
55%22%8%10%5%
9.3
47%31%10%9%3%
4.6
57%23%10%5%6%
8.9
56%21%9%8%5%
9.4

The Gersh Agency and similar companies CEOs

CEOBio

Mark Hanson joined the San Francisco Symphony as Executive Director in September 2017 and was given the title of Chief Executive Officer in 2018. During his tenure, the SFS experienced a period of exciting change and forward progress, including a new multi-year financial plan that put the organization on a path to restoring stability. In 2018, the SFS negotiated a new four-year musician contract that cemented the San Francisco Symphony’s leadership position among American orchestras. A unique housing shared-equity program to help combat the Bay Area’s high cost of housing was also introduced. Also in 2018, the San Francisco Symphony launched a multi-constituency DEI Workgroup with representatives from the Board, Orchestra, and staff. Over the following two years, the DEI Workgroup focused its efforts primarily on internal culture change, capacity building, and learning but recently led the development of the SFS’s first ever DEI Plan which intends to seed deeper engagement in this work across the rest of the organization. Important to its audience development efforts, the San Francisco Symphony announced a new partnership with Stanford University to present an annual series of concerts at Stanford University’s Frost Amphitheater in 2019 that continues once again this summer. With a seating capacity of more than 6,000, Frost Amphitheater provides the San Francisco Symphony with a long-desired summer home in the heart of Silicon Valley. These important institutional developments were accompanied by the appointment of Esa-Pekka Salonen as Music Director, an outcome that The New York Times reported as “the talk of the music world.” One of the most influential and creative forces in music, Salonen began his tenure as Music Director in September 2020, teaming up with eight new San Francisco Symphony Collaborative Partners from various cultural disciplines. While the 2020-2021 season was significantly impacted by the COVID-19 pandemic, the San Francisco Symphony under Mr. Hanson launched a new on-demand streaming service, SFSymphony+, featuring original digital content now being viewed throughout the Bay Area and the world.

Mike Gamson
Relativity Media

Mike first joined the Relativity team in 2017 as a member of the advisory board. He got the unique opportunity to get to know the company's business and team extremely well before stepping up to the role of CEO in 2019. Mike brings over 20 years of recruitment, sales, and product marketing experience to Relativity. In his former role at LinkedIn, Mike oversaw LinkedIn’s Global Solutions Organization (GSO) for its more than 30 offices worldwide, focusing on servicing corporate customers in three primary areas-talent solutions, marketing solutions, and sales solutions. Before LinkedIn, Mike was director of product marketing at Advent Software, a provider of enterprise software for investment managers, where he led the trading and order management business. Mike received his bachelor’s degree from Amherst College.

The Gersh Agency competitors FAQs

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