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Competitor Summary. See how Wasserman compares to its main competitors:

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    Wasserman vs competitors

    CompanyFounding dateZippia scoreHeadquarters# of LocationsRevenueEmployees
    1998
    4.4
    Los Angeles, CA2$49.9M1,000
    2008
    4.2
    New York, NY1$20.0M775
    Sesac
    1930
    3.6
    Nashville, TN1$620,00010
    1911
    4.1
    San Francisco, CA2$75.7M200
    -
    3.6
    Beverly Hills, CA1$11.2M100
    1957
    3.4
    Dallas, TX1$1.6M30
    Major Model Management
    -
    4.1
    New York, NY1$1.2M3
    West Virginia Public Broadcasting
    2007
    3.8
    Charleston, WV1$2.0M-
    1938
    3.0
    New York, NY1$13.0M125
    1958
    4.3
    Washington, DC1$26.7M50
    1936
    4.0
    Los Angeles, CA2$3.2M35
    1997
    4.8
    Santa Monica, CA1$3.9B3,500
    1922
    4.4
    Washington, DC1$70.9M100
    1994
    4.2
    Pittsburgh, PA1$19.0M180
    1982
    4.3
    Los Angeles, CA1$16.0M50
    1979
    4.2
    Los Angeles, CA1$96.0M101
    1962
    3.7
    Los Angeles, CA1$17.8M100
    1933
    4.4
    Los Angeles, CA1$50.0M346
    -
    4.3
    Atlanta, GA1$301.9M805
    -
    4.1
    Ely, NV1$700,00050
    Texas Association of Broadcasters
    1953
    3.8
    Austin, TX1$5.0M10

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    Wasserman salaries vs competitors

    Compare Wasserman salaries vs competitors

    CompanyAverage salaryHourly salarySalary score
    Wasserman
    $56,529$27.18-

    Compare Wasserman job title salaries vs competitors

    CompanyHighest salaryHourly salary
    Wasserman
    $100,354$48.25
    New Regency Productions
    $121,992$58.65
    The Gersh Agency
    $117,308$56.40
    Agency For the Performing Arts
    $110,680$53.21
    Lionsgate
    $99,833$48.00
    Directors Guild of America
    $98,688$47.45
    Texas Association of Broadcasters
    $94,808$45.58
    San Francisco Symphony
    $88,358$42.48
    Miramax
    $80,665$38.78
    National Association of Broadcasters
    $73,450$35.31
    RIAA
    $71,159$34.21
    Writers Guild of America West
    $70,636$33.96
    Sesac
    $69,799$33.56
    The Dallas Opera
    $69,262$33.30
    Anderson Group
    $68,735$33.05
    Laundry Service
    $68,178$32.78
    Native American Services Corp.
    $66,840$32.13
    International Advertising Association
    $66,322$31.89
    The Talent Group
    $65,940$31.70
    Major Model Management
    $64,126$30.83

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    Wasserman demographics vs competitors

    Compare gender at Wasserman vs competitors

    Job titleMaleFemale
    National Association of Broadcasters40%60%
    Lionsgate48%52%
    Laundry Service51%49%
    Directors Guild of America51%49%
    Wasserman--

    Compare race at Wasserman vs competitors

    CompanyWhiteHispanic or LatinoBlack or African AmericanAsianUnknownDiversity score
    58%19%10%9%5%
    9.6
    61%19%10%7%4%
    8.9
    55%22%8%10%5%
    9.3
    52%13%23%7%5%
    9.7

    Wasserman and similar companies CEOs

    CEOBio
    Jon Feltheimer
    Lionsgate

    During his 30-year entertainment industry career, Jon Feltheimer has held leadership positions at Lionsgate, Sony Pictures Entertainment and New World Entertainment and has been responsible for tens of thousands of hours of television programming and hundreds of films, including the global blockbuster Hunger Games franchise and multiple Academy Award winners La La Land, Crash, Monster’s Ball and Precious. Mr. Feltheimer was named Chief Executive Officer of Lionsgate in March 2000 and, during his tenure, the Company has evolved into a next generation global content leader noted for its innovation. Lionsgate’s market capitalization has grown from $80 million in 2000 to more than $5 billion today, and its revenue has increased more than 20 times over. In December 2016, Lionsgate acquired Starz, the largest acquisition in its history, creating a vertically integrated content platform with enhanced distribution capabilities. Lionsgate’s success has been driven by a 16,000-title library, a feature film slate that has generated an average of nearly $2 billion at the global box office each of the past five years and one of the largest independent television businesses in the world, encompassing nearly 90 shows on 40 different networks. Lionsgate’s television roster includes the ground-breaking hit series Orange is the New Black, the fan favorite Nashville, multiple Emmy Award winner Mad Men, the hit drama The Royals, the Golden Globe-nominated dramedy Casual, the breakout success Greenleaf and the critically-acclaimed Dear White People. Before joining Lionsgate, Mr. Feltheimer spent nine years at Sony Pictures Entertainment as head of the Columbia TriStar Television Group, shepherding the launch of hit TV shows such as Mad About You, Party of Five and The King of Queens as well as leading the television group's evolution into an international powerhouse that launched nearly 30 branded channels around the world. Mr. Feltheimer received MIPCOM’s prestigious “Personality of The Year” Award in October 2010, was inducted into Broadcasting & Cable’s Hall of Fame in October 2012, received NATPE’s coveted 2014 Brandon Tartikoff Legacy Award and the Producer’s Guild of America Milestone Award in January 2015. He has been named one of “America’s Most Inspiring CEO’s” by Esquire Magazine, and was the recipient of the Simon Wiesenthal Center’s 2016 Humanitarian of the Year Award. He was named to the Board of Directors of Grupo Televisa in 2016 and Washington University’s Board of Trustees earlier this year.

    Bill Block
    Miramax

    Mark Hanson joined the San Francisco Symphony as Executive Director in September 2017 and was given the title of Chief Executive Officer in 2018. During his tenure, the SFS experienced a period of exciting change and forward progress, including a new multi-year financial plan that put the organization on a path to restoring stability. In 2018, the SFS negotiated a new four-year musician contract that cemented the San Francisco Symphony’s leadership position among American orchestras. A unique housing shared-equity program to help combat the Bay Area’s high cost of housing was also introduced. Also in 2018, the San Francisco Symphony launched a multi-constituency DEI Workgroup with representatives from the Board, Orchestra, and staff. Over the following two years, the DEI Workgroup focused its efforts primarily on internal culture change, capacity building, and learning but recently led the development of the SFS’s first ever DEI Plan which intends to seed deeper engagement in this work across the rest of the organization. Important to its audience development efforts, the San Francisco Symphony announced a new partnership with Stanford University to present an annual series of concerts at Stanford University’s Frost Amphitheater in 2019 that continues once again this summer. With a seating capacity of more than 6,000, Frost Amphitheater provides the San Francisco Symphony with a long-desired summer home in the heart of Silicon Valley. These important institutional developments were accompanied by the appointment of Esa-Pekka Salonen as Music Director, an outcome that The New York Times reported as “the talk of the music world.” One of the most influential and creative forces in music, Salonen began his tenure as Music Director in September 2020, teaming up with eight new San Francisco Symphony Collaborative Partners from various cultural disciplines. While the 2020-2021 season was significantly impacted by the COVID-19 pandemic, the San Francisco Symphony under Mr. Hanson launched a new on-demand streaming service, SFSymphony+, featuring original digital content now being viewed throughout the Bay Area and the world.

    John Josephson
    Sesac

    Gordon Harold Smith (born May 25, 1952) is an American politician, businessman, and academic administrator who served as a United States Senator from the state of Oregon. A Republican, he served two terms in the Senate from 1997 to 2009. On September 18, 2009, he was appointed president of the National Association of Broadcasters (NAB). , he is the last Republican to represent Oregon in the Senate.

    Mitch Glazier
    RIAA

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