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| Year | # of jobs | % of population |
|---|---|---|
| 2021 | 2,440 | 0.00% |
| 2020 | 2,731 | 0.00% |
| 2019 | 3,584 | 0.00% |
| 2018 | 3,396 | 0.00% |
| 2017 | 3,083 | 0.00% |
| Year | Avg. salary | Hourly rate | % Change |
|---|---|---|---|
| 2026 | $41,551 | $19.98 | +0.3% |
| 2025 | $41,428 | $19.92 | +1.4% |
| 2024 | $40,843 | $19.64 | +1.6% |
| 2023 | $40,217 | $19.34 | +2.8% |
| 2022 | $39,140 | $18.82 | +5.5% |
| Rank | State | Population | # of jobs | Employment/ 1000ppl |
|---|---|---|---|---|
| 1 | Colorado | 5,607,154 | 476 | 8% |
| 2 | Virginia | 8,470,020 | 577 | 7% |
| 3 | Delaware | 961,939 | 66 | 7% |
| 4 | Alaska | 739,795 | 52 | 7% |
| 5 | Georgia | 10,429,379 | 653 | 6% |
| 6 | South Carolina | 5,024,369 | 314 | 6% |
| 7 | Oregon | 4,142,776 | 249 | 6% |
| 8 | Montana | 1,050,493 | 66 | 6% |
| 9 | Wyoming | 579,315 | 36 | 6% |
| 10 | North Carolina | 10,273,419 | 514 | 5% |
| 11 | New Jersey | 9,005,644 | 421 | 5% |
| 12 | Iowa | 3,145,711 | 155 | 5% |
| 13 | North Dakota | 755,393 | 34 | 5% |
| 14 | Vermont | 623,657 | 30 | 5% |
| 15 | California | 39,536,653 | 1,677 | 4% |
| 16 | Massachusetts | 6,859,819 | 280 | 4% |
| 17 | Nevada | 2,998,039 | 127 | 4% |
| 18 | Utah | 3,101,833 | 118 | 4% |
| 19 | New Hampshire | 1,342,795 | 48 | 4% |
| 20 | Rhode Island | 1,059,639 | 42 | 4% |
| Rank | City | # of jobs | Employment/ 1000ppl | Avg. salary |
|---|---|---|---|---|
| 1 | Stamford | 1 | 1% | $40,868 |
| 2 | Tampa | 1 | 0% | $36,846 |

Youngstown State University

Dragana Crnjak: This year brought many challenges, many drastically changing the ways artists and art institutions operate. The biggest challenge, perhaps, is that we don't know what are the long-term impacts, yet. Interesting is that on the one hand, the restrictions have opened potentials in expanded and vibrant global communication and online collaborations among artists. On the other hand, with these connections more available, I believe, artists are starting to build even stronger relationships with their neighborhoods, communities, regions, and, I hope, we start investing ourselves more fully to this self-sustainable kind of thinking, to create opportunities that will sustain and expand the quality of life and culture locally. We have already seen artists adapting and finding new ways to communicate and do work. I am sincerely optimistic that artists, with the skills I mentioned previously, will keep leading discoveries and finding innovative ways to stay creative.