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Film sound coordinator vs play back operator

The differences between film sound coordinators and play back operators can be seen in a few details. Each job has different responsibilities and duties. It typically takes 1-2 years to become both a film sound coordinator and a play back operator. Additionally, a film sound coordinator has an average salary of $55,776, which is higher than the $43,574 average annual salary of a play back operator.

The top three skills for a film sound coordinator include film festival, press releases and radiology. The most important skills for a play back operator are control room, , and .

Film sound coordinator vs play back operator overview

Film Sound CoordinatorPlay Back Operator
Yearly salary$55,776$43,574
Hourly rate$26.82$20.95
Growth rate10%10%
Number of jobs22,10427,895
Job satisfaction--
Most common degreeBachelor's Degree, 74%Bachelor's Degree, 51%
Average age4242
Years of experience22

Film sound coordinator vs play back operator salary

Film sound coordinators and play back operators have different pay scales, as shown below.

Film Sound CoordinatorPlay Back Operator
Average salary$55,776$43,574
Salary rangeBetween $35,000 And $87,000Between $30,000 And $62,000
Highest paying City--
Highest paying state--
Best paying company--
Best paying industry--

Differences between film sound coordinator and play back operator education

There are a few differences between a film sound coordinator and a play back operator in terms of educational background:

Film Sound CoordinatorPlay Back Operator
Most common degreeBachelor's Degree, 74%Bachelor's Degree, 51%
Most common majorCommunicationBusiness
Most common collegeNew York UniversityNew York University

Film sound coordinator vs play back operator demographics

Here are the differences between film sound coordinators' and play back operators' demographics:

Film Sound CoordinatorPlay Back Operator
Average age4242
Gender ratioMale, 51.4% Female, 48.6%Male, 73.1% Female, 26.9%
Race ratioBlack or African American, 7.4% Unknown, 6.3% Hispanic or Latino, 17.0% Asian, 5.2% White, 63.8% American Indian and Alaska Native, 0.4%Black or African American, 11.0% Unknown, 6.2% Hispanic or Latino, 15.5% Asian, 5.0% White, 62.0% American Indian and Alaska Native, 0.4%
LGBT Percentage8%8%

Differences between film sound coordinator and play back operator duties and responsibilities

Film sound coordinator example responsibilities.

  • Manage and coordinate the workload of the release team members and are responsible for organizing and hosting all production release windows.
  • Act in agreement with the NAIA, NCAA, NJCAA, and college rules and regulations.
  • Second source assessment (CVD, WSi quartz assessment).
  • Assist in the integration of PVD, lithography and RIE with the electroplating process.
  • Edit raw voice recording, add sound effects, and mix to DAT format.
  • Audit foreign organizations royalty payments to ensure BMI writers are compensate properly on film releases.
  • Show more

Play back operator example responsibilities.

  • Manage and update show's Facebook page and website with strategically tailor content aim at growing audience base.
  • Conduct routine operating inspections of the unit, troubleshoot operational problems and respond to area emergencies or to changing operational situations.
  • Solicit previous ADT callers and transfer to sales representative.
  • Interact with the Flexo department to resolve any issues relate to machine performance.

Film sound coordinator vs play back operator skills

Common film sound coordinator skills
  • Film Festival, 47%
  • Press Releases, 13%
  • Radiology, 12%
  • Event Planning, 8%
  • RAN, 7%
  • Sound Equipment, 5%
Common play back operator skills
  • Control Room, 100%

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