Post job

Offline editor vs production editor

The differences between offline editors and production editors can be seen in a few details. Each job has different responsibilities and duties. It typically takes 2-4 years to become both an offline editor and a production editor. Additionally, a production editor has an average salary of $53,275, which is higher than the $51,959 average annual salary of an offline editor.

The top three skills for an offline editor include offline, digitizing and avid media composer. The most important skills for a production editor are proofreading, editorial production, and production process.

Offline editor vs production editor overview

Offline EditorProduction Editor
Yearly salary$51,959$53,275
Hourly rate$24.98$25.61
Growth rate-5%-5%
Number of jobs4,43762,877
Job satisfaction--
Most common degreeBachelor's Degree, 78%Bachelor's Degree, 82%
Average age4444
Years of experience44

Offline editor vs production editor salary

Offline editors and production editors have different pay scales, as shown below.

Offline EditorProduction Editor
Average salary$51,959$53,275
Salary rangeBetween $31,000 And $84,000Between $41,000 And $68,000
Highest paying City-Hartford, CT
Highest paying state-Connecticut
Best paying company-Robert A.M. Stern Architects
Best paying industry-Media

Differences between offline editor and production editor education

There are a few differences between an offline editor and a production editor in terms of educational background:

Offline EditorProduction Editor
Most common degreeBachelor's Degree, 78%Bachelor's Degree, 82%
Most common majorPhotographyEnglish
Most common collegeNorthwestern UniversityNorthwestern University

Offline editor vs production editor demographics

Here are the differences between offline editors' and production editors' demographics:

Offline EditorProduction Editor
Average age4444
Gender ratioMale, 86.7% Female, 13.3%Male, 41.6% Female, 58.4%
Race ratioBlack or African American, 3.5% Unknown, 4.6% Hispanic or Latino, 7.9% Asian, 7.0% White, 76.8% American Indian and Alaska Native, 0.3%Black or African American, 3.6% Unknown, 4.6% Hispanic or Latino, 8.1% Asian, 7.2% White, 76.2% American Indian and Alaska Native, 0.3%
LGBT Percentage12%12%

Differences between offline editor and production editor duties and responsibilities

Offline editor example responsibilities.

  • Communicate with transportation managers, administrators, equipment operators and others for fulfillment of copy to achieve editorial goals.
  • Edit promotional, web and internal videos as well as authored DVDs.
  • Work closely with producers and directors, or independently with minimal supervision to create top-quality television ads, shows and documentaries.
  • Work closely with producers and directors, or independently with minimal supervision to create top-quality television ads, shows and documentaries.

Production editor example responsibilities.

  • Manage integration and implementation of site search and train staff on strategic SEO and web best practices.
  • Manage research and identification of all clips and pictures used in the documentary for the purpose of credit and compensation.
  • Typeset editorial content and manage paste-up board production.
  • Boost usability by managing content migration to iApps, leading maintenance & data/functionality QA.
  • Assume full editorial responsibility when editor are unavailable, including managing social media accounts and assigning content to freelancers and photographers.
  • Update online versions of books using UNIX, HTML, and XML technologies.
  • Show more

Offline editor vs production editor skills

Common offline editor skills
  • Offline, 82%
  • Digitizing, 10%
  • Avid Media Composer, 8%
Common production editor skills
  • Proofreading, 15%
  • Editorial Production, 9%
  • Production Process, 9%
  • Production Schedules, 5%
  • Fiction, 4%
  • Adobe Indesign, 4%

Browse arts, entertainment, sports, and media jobs