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The Saint Paul Chamber Orchestra was formed in 1959 under the auspices of The Saint Paul Philharmonic Society.
In the fall of 1959, Leopold Sipe was hired as music director of the Philharmonic Society and conductor of The Saint Paul Chamber Orchestra.
For its first season, 1966-67, the SPCO recruited two dozen musicians, including several first-chair players from the Minneapolis Symphony, to perform 10 concerts in a high school auditorium.
Sell's creative approach to problem-solving was his method of selecting a new music director: he used the 1971-72 season to audition prospects.
Dennis Russell Davies, considered one of the country's leading proponents and conductors of contemporary music, became SPCO music director in 1972.
Matters finally took a turn for the better in 1979, when John H. Myers, the retired head of a large St Paul industrial concern, agreed to serve as chairman of the SPCO board.
Davies as music director in 1980.
Neikrug has pursued his responsibilities diligently: since 1980 the orchestra has performed 92 pieces by American composers and devoted entire programs to the music of Luciano Berio, Hans Werner Henze, Per Norgard and, most recently, Elliott Carter.
Zukerman, they point out, is bound to leave the SPCO eventually (he's under contract through 1985-86), and given its history of financial instability the orchestra has no business taking on the expensive long-term commitment entailed by the addition of 10 new players.
In 1987, Zukerman stepped down as music director to concentrate on his recital and concert career.
Hugh Wolff assumed the role of SPCO music director and responsibility for the Chamber Orchestra's overall artistic policies and programming in 1992-93.
Other releases have included works by Copland, Dvorak, Haydn, Ravel, Debussy, and the best-selling "Christmas with Thomas Hampson" album that remained on Billboard's top crossover albums chart for two months in 1992.
In May 1993 the Chamber Orchestra completed a tremendously successful three-week, five-country European tour with James Galway and Emanuel Ax.
"Paper Music," the first recorded collaboration between the SPCO and Bobby McFerrin, was released by Sony Classical in July 1995.
In the spring of 1996, Hugh Wolff led the SPCO on its acclaimed first concert tour of Japan.
Bobby McFerrin will retain the creative chair position through the 1997-98 season.
Starting in January 1998, Wolff and the Chamber Orchestra tour nationally for two weeks with Emanuel Ax.
The SPCO has commissioned 162 new works and tours nationally and internationally, including recent engagements in Europe and New York City, and a prestigious residency with violinist Joshua Bell at the 2021 Bravo! Vail Music Festival.
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| Company name | Founded date | Revenue | Employee size | Job openings |
|---|---|---|---|---|
| Wisconsin Chamber Orchestra | 1960 | $2.6M | 125 | - |
| New Jersey Symphony Orchestra | 1922 | $10.7M | 100 | - |
| Fort Worth Symphony Orchestra | 1912 | $12.2M | 400 | - |
| Cincinnati Symphony Orchestra | 1895 | $38.8M | 200 | 2 |
| Orchestra of St. Luke's | 1974 | $7.5M | 30 | - |
| American Symphony Orchestra | 1962 | $2.7M | 20 | - |
| Kansas City Symphony | 1982 | $17.4M | 108 | - |
| Nashville Symphony | 1946 | $21.8M | 181 | - |
| Buffalo Philharmonic Orchestra | 1935 | $11.9M | 100 | - |
| Hartford Symphony Orchestra | 1936 | $5.3M | 10 | - |
Zippia gives an in-depth look into the details of The Saint Paul Chamber Orchestra, including salaries, political affiliations, employee data, and more, in order to inform job seekers about The Saint Paul Chamber Orchestra. The employee data is based on information from people who have self-reported their past or current employments at The Saint Paul Chamber Orchestra. The data on this page is also based on data sources collected from public and open data sources on the Internet and other locations, as well as proprietary data we licensed from other companies. Sources of data may include, but are not limited to, the BLS, company filings, estimates based on those filings, H1B filings, and other public and private datasets. While we have made attempts to ensure that the information displayed are correct, Zippia is not responsible for any errors or omissions or for the results obtained from the use of this information. None of the information on this page has been provided or approved by The Saint Paul Chamber Orchestra. The data presented on this page does not represent the view of The Saint Paul Chamber Orchestra and its employees or that of Zippia.
The Saint Paul Chamber Orchestra may also be known as or be related to The Saint Paul Chamber Orchestra and The Saint Paul Chamber Orchestra Society.