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Markertek Video Supply history
Markertek Video Supply company history timeline
Our story began in 1987 with the Markertek catalog which quickly achieved cult status among creative media professionals.
She joined the Library staff in 1996 to work on the NDLP, and served as the production coordinator for American Memory.
By 1998 things had improved slightly, with women making up 17.1% of the history faculty, and 8.2% at full, 14.2% at associate, 38.9% at assistant ranks, and 37.3% as instructors.
Three of the eight modular curriculum units in the Whole Cloth project were published on the web in 1998.
Since 2001, the Journal of American History has published reviews of over 300 digital projects, covering a wide range of types, including digital collections, exhibits, teaching and learn projects, and many other hybrid projects.
Robert B. Townsend, “The Status of Women and Minorities in the History Profession,” Perspectives on History (April 2002): http://historians.org/publications-and-directories/perspectives-on-history/april-2002/the-status-of-women-and-minorities-in-the-history-profession.
5 (December 1, 2003): 1299–1307, doi:10.1086/529967, and “The Differences Slavery Made,” http://www2.vcdh.virginia.edu/AHR/; Daniel J. Cohen, “History and the Second Decade of the Web,” Rethinking History 8, no.
For over a decade now scholars have begun their search for the roots of digital humanities with the opening essay in Schreibman, et al.’s 2004 collection, A Companion to Digital Humanities.
At the University of Virginia similar efforts were afoot with the Dolly Madison Digital Edition, edited by Holly C. Shulman, which published its first installment online in 2004.
Susan Schreibman, Ray Siemens, and John Unsworth, Hardcover, Blackwell Companions to Literature and Culture (Oxford: Blackwell Publishing Professional, 2004), http://www.digitalhumanities.org/companion/.
Published shortly after the Companion, Roy Rosenzweig and Dan Cohen’s Digital History: A Guide to Gathering, Preserving, and Presenting the Past (2005) offers a more practical approach to field of digital history.
In 2005, History Matters won the American Historical Association’s James Harvey Robinson Prize for its contribution to the teaching and learning of history.
“Archival Census & Educational Needs Survey in the United States,” The American Archivist 69:2 (Fall/Winter 2006): 291-618, available at http://www2.archivists.org/sites/all/files/ACENSUS-Final.pdf.
In 2007, both Patricia Seed and Anne Sarah Rubin received fellowships for historical geospatial work.
To help integrate digital history methods and practices into its graduate and undergraduate curricula, UWM’s history department hired me in 2011 as a consultant for its “Digital Futures” initiative.
In 2011, Tanya Clement and Doug Reside gathered a group of digital humanists at the Maryland Institute for Technology in the Humanities to discuss issues surrounding professionalization in digital humanities centers.
By 2012 women made up 37.7% of the history faculty at four-year institutions, but that growth in numbers does not necessarily indicate an easing of the conditions that slow women’s advancement.
Best Practices for Establishing a Public History Program case statements 2013
Doing Digital History (2014): Women applicants = 50/70 (71%); participants 15/23 (65%), http://history2014.doingdh.org/about/participants/.
While English comes in for extensive discussion, Klein offers only three paragraphs each on history and archeology. For example, in her 2014 attempt to puzzle through the complexities of the interdisciplinary that characterizes so much digital scholarship, Julia Thompson Klein lays out a set of definitions of digital humanities and a summary of how digital work has played out in core disciplines.
[…] come to RRCHNM. By the end of the summer, all four of RRCHNM’s women leaders mentioned in Sharon Leon’s 2016-17 essay will have left the Center, as well as some staff and graduate students who will be moving on. […]
Nancy Fitch, a specialist in French history and a pioneer in world history pedagogy and in digital history, died on November 15, 2020.
© 2021 National Council on Public History - All Rights Reserved.
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Markertek Video Supply competitors
| Company name | Founded date | Revenue | Employee size | Job openings |
|---|---|---|---|---|
| Vertis Inc | 1993 | $27.0M | 150 | - |
| GSP | 1978 | $95.0M | 550 | 28 |
| The Marek Group | 1972 | $23.0M | 100 | 12 |
| Foxfire Printing | 1997 | $1.6M | 75 | - |
| Federal Direct | 1926 | $140.0M | 7,500 | - |
| Orlandi | - | $6.1M | 75 | - |
| Brown Paper Tickets | 2000 | $2.9M | 37 | - |
| Geiger | 1878 | $210.6M | 500 | 1 |
| TBC | 1974 | $580,000 | 5 | 55 |
| Noteworthy | 1954 | $200,000 | 2 | - |
Markertek Video Supply history FAQs
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Markertek Video Supply may also be known as or be related to FIT DIGITAL, Markertek Video Supply and Tower Products Incorporated.