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Competitor Summary. See how The Phoenix Symphony compares to its main competitors:

  • Sony Music Entertainment has the most employees (8,500).
  • The oldest company is Boston Symphony Orchestra, founded in 1881.
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The Phoenix Symphony vs competitors

CompanyFounding dateZippia scoreHeadquarters# of LocationsRevenueEmployees
1947
3.7
Phoenix, AZ1$11.0M100
1903
4.6
Seattle, WA1$50.0M177
1916
4.3
Baltimore, MD1$24.9M200
1891
3.9
Chicago, IL1$28.5M50
1881
4.1
Boston, MA2$14.0M50
1911
4.1
San Francisco, CA2$75.7M200
1896
3.8
Portland, OR1$19.7M111
Colorado Symphony
1989
3.3
Denver, CO1$11.8M7
1999
3.8
Denver, CO2$190.0M3,000
1974
3.7
Newark, NJ1$5.7M75
1969
3.8
Pittsburgh, PA1$10.3M50
Victoria Theatre Association
1976
3.7
Dayton, OH1$50.0M15
1996
3.6
Tallahassee, FL1$1.9M122
Life in Mobile
2012
3.4
New York, NY1$870,00023
1972
4.2
Jefferson City, MO1$177.2M350
Nuvo Magazine
1990
4.3
Indianapolis, IN1$3.3M10
1929
4.7
New York, NY2$8.9B8,500
2008
3.8
Durham, NC1$4.6M125
1976
3.3
Indianapolis, IN1$790,00025
1998
4.0
Weehawken, NJ1$9.9M249
Intersport
1985
3.7
West Chicago, IL1$12.4B5

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The Phoenix Symphony salaries vs competitors

Compare The Phoenix Symphony salaries vs competitors

CompanyAverage salaryHourly salarySalary score
The Phoenix Symphony
$60,257$28.97-

Compare The Phoenix Symphony job title salaries vs competitors

CompanyHighest salaryHourly salary
The Phoenix Symphony
$66,753$32.09
Intersport
$103,400$49.71
San Francisco Symphony
$93,264$44.84
Durham Performing Arts Center
$91,820$44.14
Sony Music Entertainment
$86,937$41.80
Victoria Theatre Association
$85,869$41.28
Pittsburgh Ballet Theatre
$82,358$39.60
Chicago Symphony Orchestra
$82,269$39.55
Life in Mobile
$77,565$37.29
Nuvo Magazine
$76,682$36.87
The Syndicate
$76,282$36.67
Ball Arena
$76,152$36.61
Learfield
$75,254$36.18
VISIT FLORIDA
$73,877$35.52
Baltimore Symphony Orchestra
$69,304$33.32
Colorado Symphony
$63,845$30.69
Oregon Symphony
$63,716$30.63
Seattle Symphony
$61,913$29.77
New Jersey Devils
$56,869$27.34
Music for All
$46,439$22.33

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The Phoenix Symphony demographics vs competitors

Compare gender at The Phoenix Symphony vs competitors

Job titleMaleFemale
Oregon Symphony39%61%
Music for All39%61%
Chicago Symphony Orchestra44%56%
Sony Music Entertainment52%48%
Learfield67%33%
The Phoenix Symphony--

Compare race at The Phoenix Symphony vs competitors

CompanyWhiteHispanic or LatinoBlack or African AmericanAsianUnknownDiversity score
56%18%14%9%3%
9.6
74%8%8%7%3%
7.3
65%16%10%4%5%
7.5
67%15%10%5%3%
7.4
67%12%12%6%3%
9.2

The Phoenix Symphony and similar companies CEOs

CEOBio
James Martin
Ball Arena

Sylvia Rhone is an American music industry executive. She is the chair and CEO of Epic Records, a label owned by Sony Music Entertainment. Rhone is regarded as the most influential female executive in the history of the music business. Named chairman and CEO of Epic Records in 2019, a division of Sony Entertainment, Rhone has helmed senior positions at all three major record companies, and was the first woman to be named CEO of a major record label owned by a Fortune 500 company, and the first African American woman in history to attain such a title.

Dana Young
VISIT FLORIDA

Charles Besser
Intersport

Mark Hanson joined the San Francisco Symphony as Executive Director in September 2017 and was given the title of Chief Executive Officer in 2018. During his tenure, the SFS experienced a period of exciting change and forward progress, including a new multi-year financial plan that put the organization on a path to restoring stability. In 2018, the SFS negotiated a new four-year musician contract that cemented the San Francisco Symphony’s leadership position among American orchestras. A unique housing shared-equity program to help combat the Bay Area’s high cost of housing was also introduced. Also in 2018, the San Francisco Symphony launched a multi-constituency DEI Workgroup with representatives from the Board, Orchestra, and staff. Over the following two years, the DEI Workgroup focused its efforts primarily on internal culture change, capacity building, and learning but recently led the development of the SFS’s first ever DEI Plan which intends to seed deeper engagement in this work across the rest of the organization. Important to its audience development efforts, the San Francisco Symphony announced a new partnership with Stanford University to present an annual series of concerts at Stanford University’s Frost Amphitheater in 2019 that continues once again this summer. With a seating capacity of more than 6,000, Frost Amphitheater provides the San Francisco Symphony with a long-desired summer home in the heart of Silicon Valley. These important institutional developments were accompanied by the appointment of Esa-Pekka Salonen as Music Director, an outcome that The New York Times reported as “the talk of the music world.” One of the most influential and creative forces in music, Salonen began his tenure as Music Director in September 2020, teaming up with eight new San Francisco Symphony Collaborative Partners from various cultural disciplines. While the 2020-2021 season was significantly impacted by the COVID-19 pandemic, the San Francisco Symphony under Mr. Hanson launched a new on-demand streaming service, SFSymphony+, featuring original digital content now being viewed throughout the Bay Area and the world.

Gene Sobczak
Colorado Symphony

Cole Gahagan
Learfield

Christopher Cotter
The Syndicate

Ty Sutton
Victoria Theatre Association

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